As a martial arts nerd, I frequent several martial arts forums and groups, but the groups that I have made the most connections through have been the Ryukyu Martial Arts Facebook Groups, which were founded by Ryan Parker Sensei. These groups have been a melting pot for martial artists from many backgrounds, and have generated plenty of deep, thought-provoking conversations. […]
Karate kata contain many movements that travel in opposite directions. Although it is quite simple, this concept of opposing forces is one of the signature methods of Okinawan karate. It can be seen in kihon practice, as well as in advanced kata, because it is extremely versatile. In application, this concept can defend, attack, clear obstructions, dislocate joints, and increase […]
Last week, I had the pleasure of attending the 2015 Brotherhood of Veteran Warriors Gasshuku. The BOVW is an organization that was founded by US Military veterans with decades of martial arts experience, for the purpose of providing settings where martial artists from different backgrounds could come together to share and learn. They do not have any sort of curriculum, […]
Karate is often described as being a linear art, especially when looking at modern karate, but it is actually more circular than it gets credit for. Both linear movements, and circular movements, work together in karate to function as compound movements. These compound movements allow us to do more than we might otherwise, because they exert force in unusual ways […]
Kihon-geiko (basic/foundational training) is meant to isolate karate movements so they can be individually focused on during practice. Karateka from nearly any style will be familiar with a variety of methods for this purpose–punches while standing in shiko-dachi (sumo/horse stance), kicks with the hands on the hips, walking across the mat in a stance, etc. Whatever the technique may be, […]
Over time, it is natural for a martial artist to narrow their focus of study to specific aspects of their art–I mentioned this in my recent article on the development of martial artists. There are also some martial arts which are narrow in focus, to begin with. It is rather likely that those arts and styles are specialized because […]
As of the writing of this article, I have only been training for a little over 8.5 years, and I only just earned my shodan (1st degree black belt) last Summer. Even so, I’ve seen and heard of so many instances of the “shodan slump” to know that it’s real, and I feel grateful that I have managed to avoid […]
Traditional martial arts are often criticized–and rightly so, in many cases–for training against unrealistic attacks. Most often, the attack that gets the most complaints is the infamous straight lunge-punch in a long front stance that comes from 10 feet away, and wouldn’t hit the defender even if they stood still. A close second to that is the wrist grab, […]
When you are attacked, you don’t really want to deal with an attacker that is throwing a barrage of punches at you–you want to stop their attack as quickly as possible. Limb control is one way of accomplishing this, and is a very important aspect of old Okinawan karate but, like many important aspects of old Okinawan karate, it has […]
Over the weekend, I attended a Seiyunchin bunkai seminar via Skype with one of Taira Masaji Sensei’s senior students, Paul Enfield. Although I am a Shorin-Ryu practitioner, I have picked up some other kata throughout my karate journey, and Seiyunchin is one of them. The version I learned was a bit different, though, and I have been working on making […]
The image, above, comes from Page 204 of Konishi Yasuhiro’s book, Karate Nyumon. I was inspired to go back and look at this publication by Victor Smith Sensei, who wrote an article on another section of the book. This book, in its original Japanese, along with many others, have been made available for free by Charles Goodin Sensei and the […]
