Most martial artists have seen the so-called “Wing Chun dummy,” which is actually called a muk yan jong in Cantonese, or mu ren zhuang in Mandarin, meaning “wooden man post.” This training tool was widely popularized by Bruce Lee and, more recently, the Ip Man series of movies, starting Donnie Yen. While these dummies were developed for Chinese martial arts, […]
On February 4th, 2020, Ulf Karlsson landed in Phoenix, AZ for the first time in nearly 6 years. For those who are unaware, Ulf Karlsson is the foremost expert (outside of Okinawa) in the rare style of Shuri-Te called KishimotoDi, and is the only person to be granted a Shihan license in the art by the Bugeikan on Okinawa. On […]
The art of KishimotoDi (AKA, Kishimoto-Ha Karate/Shuri-Te) is an interesting look into the Shuri-classified (or Tomari-classified, if you prefer to look at it that way) karate of the past, before its popularization by Itosu “Anko” Yasutsune and his disciples. As this style is is rare, only a small number of practitioners around the world study it, so it has been […]
A common complaint about karate, and its kata, is that the stances are impractical–that one would never use such stances in a “real fight.” This goes along with the general complaint about kamae (postures) found in kata being impractical guards for fighting from (as discussed in this article: LINK). This tends to stem form the fact that the word tachi […]
Sport karate has long been known for its fast in-and-out approach to fighting, largely because of the way points are assessed–you want to get in and touch your opponent, and get away before they can touch you. Lately, though, the kumite used in the increasingly popular World Karate Federation (WKF) competitions seems to involve the “in” component, but not so […]
“One cannot use continuous attacks against true karate. That is because the blocks of true karate make it impossible for the opponent to launch a second attack” The above quote comes from Motobu Choki, as translated by Joe Swift, and is one of many somewhat enigmatic statements from the famed Okinawan fighter about the nature of karate. Some of his […]
If you frequent many online martial arts forums, then you will be familiar with the “Orthodox vs. Southpaw” discussion. It usually begins with someone who is relatively new to the martial arts, or someone who has a boxing background. The question can vary, a bit, but it always has the same general theme–trying to figure out what the benefits are […]
This past weekend was our Ryukyu Martial Arts Friendship Gasshuku, which was an event I put together with the intent of getting martial artists together to learn and train in a variety of martial arts from the Ryukyu islands. The idea actually came from the Ryukyu Martial Arts Facebook Groups that were set up by Ryan Parker Sensei. There are […]
Kihon-geiko (basic/foundational training) is meant to isolate karate movements so they can be individually focused on during practice. Karateka from nearly any style will be familiar with a variety of methods for this purpose–punches while standing in shiko-dachi (sumo/horse stance), kicks with the hands on the hips, walking across the mat in a stance, etc. Whatever the technique may be, […]
Centered Punch by Hironishi Motonobu (L), Off-Centered Punch by Funakoshi Gichin (R) When practicing kihon (basics)–which carries over into kata practice–there tend to be two schools of thought on where to aim punches. One says that you should aim to the center, as if your opponent were standing directly in front of you, so that you can work on your […]
An enbusen (performance line) diagram for Isshin-Ryu Naihanchi footwork variations When doing kata training, it is not generally accepted to modify any part of the kata, including the footwork. That said, it is not completely unheard of. Oyata Sensei of RyuTe was known to change the footwork of his kata from time to time, to better illustrate the applications. More […]
