Most karateka spend a great deal of time learning and practicing kata, which is fitting, given that the kata are templates for the curriculum of karate, but as the art has morphed into a tradition-based art over the past century, the way that people train and practice kata has changed. As recently as the mid-20th Century CE, kata were regularly taught differently to […]
On February 4th, 2020, Ulf Karlsson landed in Phoenix, AZ for the first time in nearly 6 years. For those who are unaware, Ulf Karlsson is the foremost expert (outside of Okinawa) in the rare style of Shuri-Te called KishimotoDi, and is the only person to be granted a Shihan license in the art by the Bugeikan on Okinawa. On […]
The art of KishimotoDi (AKA, Kishimoto-Ha Karate/Shuri-Te) is an interesting look into the Shuri-classified (or Tomari-classified, if you prefer to look at it that way) karate of the past, before its popularization by Itosu “Anko” Yasutsune and his disciples. As this style is is rare, only a small number of practitioners around the world study it, so it has been […]
Karate has, like all things, changed over the course of time, for a variety of reasons, from sociopolitical considerations, to sports science and movement theories, to simple aesthetics. Breaking down the myriad changes that have taken place within it would be an impossible task, but one can isolate some specific examples for study, which make for an interesting look at […]
“Karate” is a broad term, which covers many different martial methodologies and styles originating on Okinawa and, later, Japan. There are a number of misconceptions about what karate is, although there has been a movement–a sort of “karate Renaissance”–in the past decade, or so, which has been making more information about karate available, and promotes a practical approach to the […]
Much is made of the influence of Chinese martial arts on karate, from the “36 families” of Kumemura (LINK), to the Oshima incident (LINK), to the mysterious Hakutsuru kata (LINK), and of course the more solid connections found in Naha-Te styles like Goju-Ryu and Uechi-Ryu. While Chinese martial arts would certainly have had an influence on Okinawan martial arts, given […]
While many joint locking techniques (kansetsu-waza) exist within karate, there are still karateka who are unaware of them and, frequently, people look at the joint locks of karate from the perspective of other arts. We know that such techniques exist within karate, not only because of karateka who kept them in their curricula into modern times, such as Uehara Seikichi […]
Karate is not a single, homogeneous practice, but rather is made up of a wide variety of styles, all of which are eclectic blends of native Okinawan arts, Japanese arts, Chinese arts, Indochinese arts, and more. While the human body only functions in so many ways, there are actually quite a number of approaches to doing most things, including generating […]
Sport karate has long been known for its fast in-and-out approach to fighting, largely because of the way points are assessed–you want to get in and touch your opponent, and get away before they can touch you. Lately, though, the kumite used in the increasingly popular World Karate Federation (WKF) competitions seems to involve the “in” component, but not so […]
Uke-waza (receiving techniques), as has been discussed before, are much more than just blocks, but they often incorporate defensive methods in their movements. While karate has a wide array of methods for defense, the most universal is probably the “parry-pass” style of blocking. Essentially, this is a method of blocking where one hand parries the attack to the side, and passes […]
Bunkai (lit. “take apart, analyze”), in the context of karate, is the practice of breaking down kata and working on developing applications for their movements, but sometimes it can be hard for karateka to figure out how to apply kata movements on their own. This is compounded by the fact that many instructors still only teach basic “block-punch-kick” applications for […]
