toudi


Compound Movements and Cutting Lines

Karate is often described as being a linear art, especially when looking at modern karate, but it is actually more circular than it gets credit for. Both linear movements, and circular movements, work together in karate to function as compound movements. These compound movements allow us to do more than we might otherwise, because they exert force in unusual ways […]


The Shoulder Throws of Karate

When martial artists think of throws, they often think of judo, and if you say “shoulder throw,” they will generally think of judo’s ippon seoi nage (single point carry-on-the-back throw) and morote seoi nage (double carry-on-the-back throw), which are often called single/double “shoulder throws.” While classical karate does contain a throw similar to seoi otoshi (carry-on-the-back drop), which is a […]


Preemptive Hand Trapping

Hand trapping is an aspect of Okinawan karate that has been lost in many dojo. So many, in fact, that it is not uncommon for karateka to comment on videos of Okinawan trapping techniques with things like “looks like Wing Chun”–they simply can’t believe that it is a native aspect of karate! Of course, if you search “hand trapping” on […]


Stepping on Toes

Recently, there was a UFC event here in Phoenix, which was headlined by a very competitive fight between Junior dos Santos and Stipe Miocic. In one of the earlier fights during that event, a minor thing happened that caused some interesting discussion on some MMA forums. One of the fighters stepped on the foot of his opponent. Normally, this would […]


My KishimotoDi Experience (Part 2–Kata)

KishimotoDi has a total of four kata; Naihanchi, Nidanbu, Passai, and Kusanku. The foundation of the system is Naihanchi, which is  not unusual for karate that comes from Shuri-Te/SuiDi. All of the other kata build on the material and methods in Naihanchi, so unless you get good at Naihanchi and its applications, the other kata won’t make sense. I find […]


Styles, Systems and Purity

This will be a long post, so I apologize in advance, and let me preface this by saying that I do not think I am qualified to “create a style” or anything like that.  This is just a collection of thoughts and observations regarding styles and systems. Anko Itosu, Shuri-Te Instructor Lately I have been thinking a great deal about […]