“Karate” is a broad term, which covers many different martial methodologies and styles originating on Okinawa and, later, Japan. There are a number of misconceptions about what karate is, although there has been a movement–a sort of “karate Renaissance”–in the past decade, or so, which has been making more information about karate available, and promotes a practical approach to the […]
Karate is not a single, homogeneous practice, but rather is made up of a wide variety of styles, all of which are eclectic blends of native Okinawan arts, Japanese arts, Chinese arts, Indochinese arts, and more. While the human body only functions in so many ways, there are actually quite a number of approaches to doing most things, including generating […]
Bunkai (lit. “take apart, analyze”), in the context of karate, is the practice of breaking down kata and working on developing applications for their movements, but sometimes it can be hard for karateka to figure out how to apply kata movements on their own. This is compounded by the fact that many instructors still only teach basic “block-punch-kick” applications for […]
“One cannot use continuous attacks against true karate. That is because the blocks of true karate make it impossible for the opponent to launch a second attack” The above quote comes from Motobu Choki, as translated by Joe Swift, and is one of many somewhat enigmatic statements from the famed Okinawan fighter about the nature of karate. Some of his […]
As karateka, we often look at being on the receiving end of attacks, but sometimes we can overlook dealing with the defense of our attackers. From a philosophical view, it is easy to understand why this could happen. Most serious karateka are familiar with the concept of “karate ni sente nashi,” or “there is no initiating hand in karate.” […]
Karate kata contain many movements that travel in opposite directions. Although it is quite simple, this concept of opposing forces is one of the signature methods of Okinawan karate. It can be seen in kihon practice, as well as in advanced kata, because it is extremely versatile. In application, this concept can defend, attack, clear obstructions, dislocate joints, and increase […]
While karate strikes primarily target the head and body, it also includes strikes to limbs. In my recent article about cutting lines, I mentioned that those methods involve striking the limb as you attack. That is a byproduct of cutting the opponent’s line of attack or defense, but damaging the limb isn’t usually the intent. In this article, we will […]
Karate is often described as being a linear art, especially when looking at modern karate, but it is actually more circular than it gets credit for. Both linear movements, and circular movements, work together in karate to function as compound movements. These compound movements allow us to do more than we might otherwise, because they exert force in unusual ways […]
There is some disagreement in the karate community about whether hidden techniques in kata actually exist or not, but that disagreement largely stems from differing views on what the definition of “hidden” is. In the sense of karate techniques, “hidden” could be used to refer to things that are purposely concealed or obscured, or even completely removed. It could also […]
Kihon-geiko (basic/foundational training) is meant to isolate karate movements so they can be individually focused on during practice. Karateka from nearly any style will be familiar with a variety of methods for this purpose–punches while standing in shiko-dachi (sumo/horse stance), kicks with the hands on the hips, walking across the mat in a stance, etc. Whatever the technique may be, […]
Martial arts have a great deal of terminology describing their techniques, methods, and concepts. Typically, this terminology is in the language native to the region the art came from. Karate, although Okinawan in origin, has adopted the Japanese language as Uchinaguchi (the language of Okinawa) was phased out of regular use in the Ryukyu Islands. This means that karateka all […]
