A common complaint about karate, and its kata, is that the stances are impractical–that one would never use such stances in a “real fight.” This goes along with the general complaint about kamae (postures) found in kata being impractical guards for fighting from (as discussed in this article: LINK). This tends to stem form the fact that the word tachi […]
Much is made of the influence of Chinese martial arts on karate, from the “36 families” of Kumemura (LINK), to the Oshima incident (LINK), to the mysterious Hakutsuru kata (LINK), and of course the more solid connections found in Naha-Te styles like Goju-Ryu and Uechi-Ryu. While Chinese martial arts would certainly have had an influence on Okinawan martial arts, given […]
Bunkai (lit. “take apart, analyze”), in the context of karate, is the practice of breaking down kata and working on developing applications for their movements, but sometimes it can be hard for karateka to figure out how to apply kata movements on their own. This is compounded by the fact that many instructors still only teach basic “block-punch-kick” applications for […]
Most traditional martial artists who practice styles from Japan or Okinawa will be familiar with the word “kamae,” which literally translates to “posture” or “pose,” in the context of martial arts. It is typically used to refer to either specific arrangements of the arms, or of the entire body, as a whole–not to be confused with “tachi,” or “stance,” which […]
At UFC Saskatoon, undefeated Ukrainian prospect, Maryna Moroz, faced off against Canadian veteran, Valerie Letourneau. Although Moroz is not as well known as Letourneau, she was the favorite going into the fight, due to her snappy, aggressive fighting style and her recent upset of Muay Thai phenom, Joanne Calderwood. As it turned out, Letourneau was able to take the tough […]
Karate is often described as being a linear art, especially when looking at modern karate, but it is actually more circular than it gets credit for. Both linear movements, and circular movements, work together in karate to function as compound movements. These compound movements allow us to do more than we might otherwise, because they exert force in unusual ways […]
There is some disagreement in the karate community about whether hidden techniques in kata actually exist or not, but that disagreement largely stems from differing views on what the definition of “hidden” is. In the sense of karate techniques, “hidden” could be used to refer to things that are purposely concealed or obscured, or even completely removed. It could also […]
When martial artists think of throws, they often think of judo, and if you say “shoulder throw,” they will generally think of judo’s ippon seoi nage (single point carry-on-the-back throw) and morote seoi nage (double carry-on-the-back throw), which are often called single/double “shoulder throws.” While classical karate does contain a throw similar to seoi otoshi (carry-on-the-back drop), which is a […]
As of the writing of this article, I have only been training for a little over 8.5 years, and I only just earned my shodan (1st degree black belt) last Summer. Even so, I’ve seen and heard of so many instances of the “shodan slump” to know that it’s real, and I feel grateful that I have managed to avoid […]
Martial arts have a great deal of terminology describing their techniques, methods, and concepts. Typically, this terminology is in the language native to the region the art came from. Karate, although Okinawan in origin, has adopted the Japanese language as Uchinaguchi (the language of Okinawa) was phased out of regular use in the Ryukyu Islands. This means that karateka all […]
The one-legged turn in Kusanku Dai A little over a year ago, I wrote a quick post to show three techniques that I had recorded video of, and wanted to share. I didn’t go over any of the techniques in-depth, and I wanted to revisit the Kusanku application, to shed a little more light on it. The kata movement is […]
