Most martial artists have seen the so-called “Wing Chun dummy,” which is actually called a muk yan jong in Cantonese, or mu ren zhuang in Mandarin, meaning “wooden man post.” This training tool was widely popularized by Bruce Lee and, more recently, the Ip Man series of movies, starting Donnie Yen. While these dummies were developed for Chinese martial arts, […]
On February 4th, 2020, Ulf Karlsson landed in Phoenix, AZ for the first time in nearly 6 years. For those who are unaware, Ulf Karlsson is the foremost expert (outside of Okinawa) in the rare style of Shuri-Te called KishimotoDi, and is the only person to be granted a Shihan license in the art by the Bugeikan on Okinawa. On […]
The art of KishimotoDi (AKA, Kishimoto-Ha Karate/Shuri-Te) is an interesting look into the Shuri-classified (or Tomari-classified, if you prefer to look at it that way) karate of the past, before its popularization by Itosu “Anko” Yasutsune and his disciples. As this style is is rare, only a small number of practitioners around the world study it, so it has been […]
“Karate” is a broad term, which covers many different martial methodologies and styles originating on Okinawa and, later, Japan. There are a number of misconceptions about what karate is, although there has been a movement–a sort of “karate Renaissance”–in the past decade, or so, which has been making more information about karate available, and promotes a practical approach to the […]
Karate is not a single, homogeneous practice, but rather is made up of a wide variety of styles, all of which are eclectic blends of native Okinawan arts, Japanese arts, Chinese arts, Indochinese arts, and more. While the human body only functions in so many ways, there are actually quite a number of approaches to doing most things, including generating […]
On Wednesday, July 20th, 2016, I tested for Nidan, along with another Nidan candidate, two Shodan candidates, and several brown belt candidates. The testing panel consisted of: John Dominguez, MD, Shodan Jim Mitchell, Shodan Richard Poage, Renshi, Godan Michael Newland, Renshi, Rokudan Jeff Allred, Renshi, Rokudan Eddie Bethea, Kyoshi, Hachidan The Shodan candidates had to complete a written exam, which […]
Lately, my friends over at Karate Culture have been posting videos, like the one above, that connect kata to techniques found in mixed martial arts, and various grappling arts–something I have also done, although on a smaller scale. This has brought with it some argument as to the nature of karate. As with most such arguments, this one is not […]
As karateka, we often look at being on the receiving end of attacks, but sometimes we can overlook dealing with the defense of our attackers. From a philosophical view, it is easy to understand why this could happen. Most serious karateka are familiar with the concept of “karate ni sente nashi,” or “there is no initiating hand in karate.” […]
The grappling techniques of karate are classified as tuidi-waza (seizing hand techniques). This primarily refers to joint locks and grabbing/tearing techniques, but could technically include some types of chokes, throws and takedowns. We practice these in kata, in application drills, and in flow drills, but most people don’t work them in a randori (free grappling) scenario. Admittedly, free grappling with […]
When martial artists think of throws, they often think of judo, and if you say “shoulder throw,” they will generally think of judo’s ippon seoi nage (single point carry-on-the-back throw) and morote seoi nage (double carry-on-the-back throw), which are often called single/double “shoulder throws.” While classical karate does contain a throw similar to seoi otoshi (carry-on-the-back drop), which is a […]
The one-legged turn in Kusanku Dai A little over a year ago, I wrote a quick post to show three techniques that I had recorded video of, and wanted to share. I didn’t go over any of the techniques in-depth, and I wanted to revisit the Kusanku application, to shed a little more light on it. The kata movement is […]
