Many people claim to teach “traditional karate,” and even advertise it as such, but what does that mean, exactly? If we define the word “tradition,” as the dictionary does, it means “a long-established custom or belief that has been passed on from one generation to another,” or “an artistic or literary method or style established by an artist, writer, or […]
The art of KishimotoDi (AKA, Kishimoto-Ha Karate/Shuri-Te) is an interesting look into the Shuri-classified (or Tomari-classified, if you prefer to look at it that way) karate of the past, before its popularization by Itosu “Anko” Yasutsune and his disciples. As this style is is rare, only a small number of practitioners around the world study it, so it has been […]
Karate has, like all things, changed over the course of time, for a variety of reasons, from sociopolitical considerations, to sports science and movement theories, to simple aesthetics. Breaking down the myriad changes that have taken place within it would be an impossible task, but one can isolate some specific examples for study, which make for an interesting look at […]
“Karate” is a broad term, which covers many different martial methodologies and styles originating on Okinawa and, later, Japan. There are a number of misconceptions about what karate is, although there has been a movement–a sort of “karate Renaissance”–in the past decade, or so, which has been making more information about karate available, and promotes a practical approach to the […]
A common complaint about karate, and its kata, is that the stances are impractical–that one would never use such stances in a “real fight.” This goes along with the general complaint about kamae (postures) found in kata being impractical guards for fighting from (as discussed in this article: LINK). This tends to stem form the fact that the word tachi […]
Much is made of the influence of Chinese martial arts on karate, from the “36 families” of Kumemura (LINK), to the Oshima incident (LINK), to the mysterious Hakutsuru kata (LINK), and of course the more solid connections found in Naha-Te styles like Goju-Ryu and Uechi-Ryu. While Chinese martial arts would certainly have had an influence on Okinawan martial arts, given […]
At 2:04am Pacific Standard Time, on Wednesday, December 27th, 2017, the world lost an amazing martial artist, a fantastic role model, and a great man who impacted more lives than I can count. Richard Michael Poage was my Sensei, but he was also my friend, and the older brother I never had. He was truly the embodiment of “sensei,” which […]
While many joint locking techniques (kansetsu-waza) exist within karate, there are still karateka who are unaware of them and, frequently, people look at the joint locks of karate from the perspective of other arts. We know that such techniques exist within karate, not only because of karateka who kept them in their curricula into modern times, such as Uehara Seikichi […]
As much as I love training and researching, I also love teaching, and it’s something that I have been doing, in some capacity, since I was a yellow belt. I’ve gone from helping a white belt learn the most basic aspects of a block, to teaching classes and seminars, and it’s been a wonderful adventure, as well as a learning […]
Karate is not a single, homogeneous practice, but rather is made up of a wide variety of styles, all of which are eclectic blends of native Okinawan arts, Japanese arts, Chinese arts, Indochinese arts, and more. While the human body only functions in so many ways, there are actually quite a number of approaches to doing most things, including generating […]
Sport karate has long been known for its fast in-and-out approach to fighting, largely because of the way points are assessed–you want to get in and touch your opponent, and get away before they can touch you. Lately, though, the kumite used in the increasingly popular World Karate Federation (WKF) competitions seems to involve the “in” component, but not so […]
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